![]() ![]() Although “Fuck the Pain Away” was too risqué to chart, its unforgettable, braggadocious lines permeated everything from South Park to 30 Rock and 2003 film Lost In Translation: “Suckin’ on my titties like you wanted me/Calling me all the time like Blondie/Check out my Chrissy behind/It’s fine all of the time.” It was reportedly Madonna’s favorite workout song, and she also featured it in her London play, Up For Grabs. With the help of a Roland MC-505, the bisexual drama teacher–turned-rapper sparked a titillating new wave of sleazebag disco with her 2000 LP, Teaches of Peaches. Good advice from Canada’s raunchiest sex sage. Image Credit: Rob Verhorst/Redferns/Getty Images Melissa Etheridge, “Come to My Window” (1993).I think, over time, some of them are less specifically gay than they were at first because it seemed like, when we had the chance that was really what we wanted to sing about and that was really unique.” –JP “We have sung about being gay as a part of the topic within our songs. We’re not just gay and musicians,” Jon Ginoli told Rolling Stone last year before the release of their latest album, Quite Contrary. “One thing that we have is that we’ve always sung about being gay. It’s difficult to pick one song that defines them – with songs like “Dick of Death,” “Groovy Underwear” or their classic cover of Prince’s “Jack You Off” – but we went with one that seems to defy the idea of a gay “anthem” no matter how you think of it. These Bay Area gay punk pioneers found a hint of mainstream fame when they toured with Green Day on their Dookie run in 1994, but it was their sexy lyrics and who-gives-a-fuck attitude that endeared them to a generation of queer kids – before that term was even fashionable. Image Credit: Lynn Goldsmith/Corbis/VCG/Getty Images Deee-Lite, “Groove Is in the Heart” (1990).to let supermodels do the lip-syncing, and his cheesy Faith-era leather jacket goes up in flames – remains unmatched. ![]() ![]() And while later music would directly address his sexuality and his relationships (including the loss of a partner to AIDS), his ageless 1990 single pointed to a radical, transformative honesty not yet ready to be said aloud: “I think there’s something you should know/I think it’s time I told you so/There’s something deep inside of me / There’s someone else I’ve got to be.” The accompanying video – in which the marquee-handsome superstar goes M.I.A. I write about my life,” he told CNN in his 1998 coming-out interview. “In terms of my work, I’ve never been reticent in terms of defining my sexuality. It would be eight more years until George Michael would come out to the general public, but the gifted, soulful and charismatic former Wham! frontman had long been a white-hot sex symbol, role model and trendsetter for gay men and other LGBTQ individuals across the world. Image Credit: Anthony Barboza/Getty Images Sylvester, “You Make Me Feel Mighty Real” (1978).Sticking our tongue in society’s cheek.” –JR Demurred David Hodo (Construction Worker) of “Y.M.C.A,” “We’re The band were coy about their sexuality and their following (it was 1979, afterĪll). In that same Rolling Stone story, some members of Placed them in the pantheon sold a staggering 10 million-plus copies worldwideĪnd remains a wedding and bar mitzvah mainstay, even as it alludes to man-on-manĪction in public gyms. Gay clubs but, with a string of hits, expanded to national tours and TVĪppearances, giving disco an identifiable face. Whole mysticism attached to an ‘American.'” The sextet got its start in Positive male American stereotypes,” as Glenn Hughes (the “Biker”)Įxplained to Rolling Stone in an April 1979 cover story. The group was assembled and conceived byįrenchman Jacques Morali, who observed in Greenwich Village “very strong, Never a mere novelty act or one-hit wonder. ![]()
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